CanonIR 2006 - Kelebihan dan Kekurangan Mesin Fotocopy Canon IR 2006 Review Kelemahan dan Keunggulan Canon - IR 2006 Review detail pelanggan mengenai Spesifikasi dan Harga mesin fotocopy Canon dengan Rp 12.550.000 - Mulyafotocopy.Com. Minta Penawaran; Pusat Bantuan . Hubungi Kami;
Hargakamera baru bekas DSLR terbaru terupdate termurah lensa gopro canon nikon pentax fisheye vintage digital compact raw focus bridge tlr boutique pocket slr instax olympus sony sahitel minolta panasonic samsung fujifilm kodak fotografer photo foto photograper tele macro zoom fix light wide lomo Kelebihan Dan Kekurangan Kamera Digital
Kelebihandan kekurangan Kamera Canon PowerShot G7X - deskripsi
Marisimak review fitur dan kelebihan kamera saku Canon SX740 HS berikut ini: Daftar Isi. Performa Kamera Saku Canon SX740 HS. 40X Optical Zoom & 80X Zoom Plus. Keunggulan & Kekurangan. 40X Optical Zoom & 80X Zoom Plus. Kemampuan zoom secara optik adalah salah fitur kebanggan dari kamera saku ini. Kemampuan zoom optiknya tidak berbeda
Tuturanreview dari sebuah blog Kamera Canon Terbaru Kamera DSLR merupakan tipe kamera yang menjadi pilihan setiap photografer profesional maupun pemula yang sudah banyak mengetahui tentang Kamera. Canon sudah mengeluarkan banyak model dan tentunya di pasaran Harga kamera DSLR ini menjadi tren bagi para penikmat kamera. Dengan Kualitas gambar, Fitur yang lengkap, dan model, pengguna benar- benar m
Vay Tiá»n Online Chuyá»n KhoáșŁn Ngay. CĂąmera Digital Canon PowerShot SX50 HS- Zoom Ătico 50x, Video FullHD Lcd CĂąmera Digital Canon PowerShot SX50 HS- Zoom Ătico 50x, Video FullHD, LCD ArticulĂĄvel Sensor CMOS de 24-1200mm equivalente a 35mm Lente com 50x de Zoom Ăptico, Processador de Imagem DIGIC 5, LCD de com Vari-Angle, VĂdeos em Full HD 1080p, DĂsparo Continuo de 13FPS. Acompanha 2 baterias e 1 bolsa Sony com 1 ziper precisando de conserto. Imagine poder entrar nos campos de esportes, focalizando a expressĂŁo de seu filho em um palco lotado ou gravar imagens da vida selvagem indescritĂvel. Tudo isso e muito mais Ă© possĂvel com a Canon PowerShot SX50 HS oferecendo a primeira Lente com 50x de Zoom Ăptico do mundo em uma cĂąmera digital compacta, que vai desde uma 24 milĂmetros grande-angular para 1200 mm equivalente a 35mm para capturar qualquer foto que vocĂȘ escolher. A PowerShot SX50 HS nĂŁo apenas lhe deixa perto da ação com tambĂ©m oferece uma qualidade de imagem espetacular a cada foto. O Sistema HS da Canon, uma combinação de um Sensor CMOS de MP de alta sensibilidade e o processador de imagem DIGIC 5, alcança belas imagens atĂ© ISO 6400. Grave seus momentos memorĂĄveis em vĂdeos Full HD 1080p com som estĂ©reo e alta velocidade AF garantindo que vocĂȘ vai capturar toda a ação com maior velocidade de focagem e intervalo de tempo reduzido disparo. A PowerShot SX50 HS tambĂ©m possui o benefĂcio adicional de Zoom Framing Assist que busca e bloquea as funçÔes, para rastreamento fĂĄcil e mantĂ©m o tema centralizado na estrutura atĂ© capturar a imagem. Com poderosas tecnologias que agregam praticidade e recursos avançados, PowerShot SX50 HS pode ajudĂĄ-lo a capturar mais da vida de cada dia. Tipo de cartĂŁo de memĂłria SD, SDHC, SDXC Aceito dinheiro, pix ou picpay onde vc pode usar cartĂŁo de crĂ©dito. DDD 81 - Grande Recife 12 jun. 0229
Product Finder Cameras Overview Pros & Cons Reviews TechSpot Metascore Based on 26 expert reviews Excellent 8 Good 14 Average 3 Bad 1 More Pros & Cons See all reviews TechSpot is supported by its audience. When you buy through our links, we may earn a commission. Learn more. Last revision on February 2, 2015 The Canon PowerShot SX50 HS has an extraordinary zoom range with excellent image stabilization and fine photo quality for a megazoom; plenty of shooting modes, from full auto to full manual; raw image capture; and a hot shoe for adding an external flash Industryleading 241200mm 50x optical zoom, Rich, accurate colors, Excellent image stabilization system Very good photo quality for a super zoom, Enormous 50X, 24 1200 mm lens, Optical image stabilization, with Intelligent IS feature that selects the right IS mode for you, Sharp, rotating LCD display with 461,000 pixels offers good outdoor and low light visibility, Full manual controls, now with RAW support, Smart Auto mode picks a scene mode for you, can even tell when babies are smiling or s Awesome 50x 24-1200mm zoom, Excellent 5 stop intelligent stabilisation, 460k articulated LCD screen, Good auto exposure and focus bracketing Classleading 50X optical zoom, Nice retention of details, Good metering system, Punchy image colors but no too much, Excellent whitebalance, Classleading 0cm macro focus, Impressive stabilization, Sensitive autofocus, Resists purple fringing, Intuitive us Some image flaws, like fringing and oversharpening Soft telephoto images at full zoom, AF hunts at telephoto lengths Its lens and high ISO picture quality make it less desirable for shooting indoors or in low light, especially without a tripod. A couple of things about the design of the controls might make shooting frustrating for some users. Outside of its long lens Noise issues at higher ISOs, Video frame rate behind the times, EVF should be larger Likes to clip highlights hint use DR correction, Redeye a problem though removal tool in playback mode helps, Electronic viewfinder isn't great, Lens is on the slow side in terms of maximum aperture; tripod almost a necessity when shooting at 50X zoom, ISO fixed at 80 at shutter speeds at or below 1 second, Below average battery life, Rear dial is flush with fourway controller, difficult t Small maximum aperture, Low resolution EVF, Short burst mode of less than 1 second, Poor battery life, No screen/EVF toggle button or sensor Useless ISO 3200 & 6400 sensitivities, Noise visible at all ISO, Limited dynamic range, Max 1s shutterspeed above ISO 80, Sluggish autofocus, High distortion near wideangle, Miniscule EVF, No EVF/LCD toggle, Controldial too slim, Weak LCD hinge, Short bat Expert reviews and ratings
Introduction The Canon PowerShot SX50 HS is a brand new super-zoom camera sporting a 50x zoom lens which is equivalent to a focal length of 24-1200mm. Replacing the previous SX40 HS model, the SX50 HS features a 12 megapixel back-illuminated sensor, DIGIC 5 image processor, optical Image Stabilizer with Intelligent IS technology, full manual controls, ISO 80-6400, 12-bit RAW format support, full 1080p HD movie recording with stereo sound and a HDMI port, 10fps burst shooting, a inch vari-angle LCD screen, a range of Creative Filters, external flash hotshoe and an electronic viewfinder. The Canon PowerShot SX50 HS is available in black priced at ÂŁ449 / $ Ease of Use Like most big zoom bridge cameras, the Canon PowerShot SX50 HS is a chunky beast that's not much smaller than the entry level digital SLR that it takes its styling cue from. However it is, after all, the whopper of a 50x optical lens that is the main selling point, boasting a comprehensively and creatively broad focal range stretching from 24mm to 1200mm that would be otherwise hideously unaffordable or impractical for the average DSLR user. What is lost in quality compared with a DSLR is made up for in terms of versatility - with the photographer being able to rapidly switch from wide angle framing to candid close ups from afar - and, all things considered, fair value, though the SX50 HS is not an inexpensive purchase. Indeed, with a ÂŁ449 suggested UK price tag, there's the obvious 'ouch' factor to get over when considering the SX50 HS. Considering, that is, the fact that for a similar outlay you could purchase an entry level digital SLR, albeit one admittedly with a standard 18-55mm lens 3x zoom, rather than 50x. Still, if compared with the similar Panasonic Lumix DMC-FZ200 at a suggested ÂŁ which in fairness has a lens with a constant aperture of f/ throughout its 24x zoom range, the Canon seems comparably reasonable on paper at least. Considering the zoom range on offer here, a bulky body and some added weight courtesy of the chunky 315-shot rechargeable lithium-ion battery in the handgrip a total weight of 600g when the SX50 HS is 'loaded' makes perfect sense if we're going to be able to achieve anything approaching critical sharpness when shooting handheld towards the maximum telephoto setting. Image stabilization is of the lens shift type, offering a claimed stop advantage. Like its predecessor the SX50 HS again offers an Ultrasonic Motor along with a Voice Coil Motor to deliver not only relatively swift but also smooth and silent zooming - crucial when capturing video in particular, for which a dedicated thumb-operated record button is provided. Maximum aperture of the lens is f/ at 24mm, slowing to f/ at the full 1200mm, a little slow to start with but not bad considering the massive focal range on offer. From the front, apart from the change of model number the SX50 HS for 'High Speed' looks more angular and DSLR-like than the SX40 IS, with a bigger hand-grip, and further protruding pop-up flash. There's a large AF illuminator/self timer porthole to the right of the gargantuan lens, the pop up flash hiding just above, and a deep sculpted plastic grip to the left. Offering a slightly roughened surface that is practical in preventing slippage but not all that comfortable, we managed to squeeze three fingers around said grip without scraping any knuckles on the adjacent barrel. On the side of the lens barrel are two new buttons to help make using the 50x zoom easier. The uppermost Seek button quickly zooms back out of the scene, useful when you want to reloacte the subject that you had zoomed in on, and then automatically zooms back to your chosen focal length when the button is released. The lower Lock button locks onto and automatically track your subject, keeping them in the center of the frame until you take the shot. New to the SX-range is an external hotshoe on top of the camera, which accepts an external Canon Speedlite EX flashgun, greatly expanding the capabilities of the SX50 HS in low-light situations. The SX50 HS features the company's high speed Digic 5 image processor which offers a host of quick fire continuous capture of up to 13 frames per second for up to ten shots and 120fps or 240fps slow motion video replay options at 640x480 or 320x240 pixels respectively, along with the now expected regular Full HD 1920x1080 pixels video recording capability at 24fps. If you want 30fps this means a resolution drop to 1280x720 pixels. The lens shift image stabilization, again also a feature of the SX40 HS forebear, offers the equivalent of stops, with the camera detecting and choosing the 'correct' type of stabilization depending on the shooting conditions and the subject. The SX50 HS has purportedly seven options to select from Normal IS, Dynamic IS, Powered IS utilising camcorder technology to ensure the ability to record footage at a long zoom range, Panning IS deployed in one direction and useful for recording racetrack action, Macro IS, Tripod Mode image stabilizer automatically deactivated or Dynamic macro IS. The Canon PowerShot SX50 HS has effective megapixels courtesy of a 1/ CMOS sensor that is back illuminated to enhance its light gathering properties; enhanced as wires don't get in the way of the sensor and so the light's path. The Digic 5 processor offers noise reduction performance claimed to be a whopping 75% better than the old Digic 4. Less noise also gives the opportunity to avoid using the flash at various focal lengths - which incidentally has to be manually raised rather than automatically popping up - and bump up the ISO instead whilst shooting handheld. Here ISO runs from ISO 80 to ISO 6400. Multi area white balance maintains a natural colour balance for faces and backgrounds at the same time when the flash is used under tungsten lighting. The camera detects that there are two different light sources and so takes area specific readings. However, though there is face detection and AF tracking on board, the number of AF points is notably less than on even an entry level DSLR we get just one-point AF. This is a camera that is far easier to pick up and start shooting with than most DSLRs. Buttons and controls are well placed and spaced on the SX50 HS, with a shooting mode dial the size of a ten pen piece and a dime-sized shutter release button encircled by a lever for operating the zoom located at the top of the handgrip where it automatically falls under the forefinger of the right hand. This is a power zoom for those with larger hands who normally bemoan the small, precise buttons on most digicams, with the only the scroll wheel surrounding the control pad at the back being occasionally fiddly to operate with the thumb. Like most of its ilk, we found it easy to slip back and forth between settings when using it. Though most super-zooms offer the chance to merely toggle back and forth through the focal range using a lever, we missed being able to manually twist the lens barrel to quickly get the framing we wanted. The Canon PowerShot SX50 HS' shooting mode dial offers 12 settings, ranging from scene and subject recognising smart auto mode through the usual program, shutter priority, aperture priority and manual settings through to movie digest, sports mode, scene mode, more unusually a digital effects mode where the likes of miniature mode and HDR are discovered, plus there's a dedicated video setting from where the aforementioned slow motion movie capture options can be implemented; useful if you're shooting sports. Stills capture is now JPEG and/or RAW, a welcome development which brings the SX-range into line with key competitors, and makes perfect sense on a camera that aims to replace a DSLR. There are two customizable settings on the shooting mode dial for those who do like getting more hands on. Despite there being a dedicated video control on the shooting dial, you don't actually have to set it at this position to begin recording it's a means instead of adjusting the aforementioned video settings from regular speed to slow mo via a press of the 'function set' button. Simply hit the dedicated record button no matter which alternative stills mode you're in and the a second or so later the screen display will narrow from the regular 43 to 169 to ape how the video will look when replayed on your flat panel TV. There is, as we'd expect, a mini HDMI connection provided under a rubber flap at the side for this purpose, though unsurprisingly no lead comes bundled with the camera. The new screen now offers an improved resolution of 460k pixels, again matching the SX50's rivals. Press the obvious on/off switch next to the shooting mode dial and the camera powers up in just under two seconds, which is respectably swift. The lens barrel visibly extends to the maximum wide-angle 24mm setting as the rear LCD bursts into life. We know the setting as it's marked atop the lens barrel, as usefully are the incremental settings all the way up to 1200mm, which gradually reveal themselves as the lens extends outwards from the body. Since this is a bridge camera as well as a power zoom, at the back we have both vari-angle LCD monitor and a fixed electronic viewfinder just above. This automatically comes into play if you've twisted the LCD screen to face inwards to the camera body. There's no eye sensor beneath or above, nor is there a dedicated button for swapping between the larger screen and smaller EVF, so it would be very easy for most users to regularly bypass this facility completely. As it is, EVF resolution is a so-so 202k dots, and being able to twist and rotate the rear screen means that even if light reflections do render visibility momentarily tricky, a quick tilt and it's rectified. Give the zoom lever a toggle with your forefinger and the lens slides from maximum wide-angle to extreme telephoto in all of four seconds, the minimum and maximum infinity focus ranges provided via small text top of screen and rapidly changing as the lens moves forward or back. There is a noticeable mechanical buzz as the lens makes its adjustments, but it's not distracting. Switch to recording video however and the zoom action slows so that the transitions are even smoother, with the lens taking 10 seconds to move through its focal range. In this setting the mechanics of the lens are less noticeable, which is exactly as we'd want. At the back of the camera the LCD screen dominates, sitting squarely central below the EVF, which feature a hard rubber surround to the eyepiece and dioptre wheel for adjustment of visibility alongside. Above left and right of the EVF are a direct-print button, this being a Canon model, plus a Playback button. The rest of the controls are ranged to the right of the screen, the uppermost allowing users to immediately start recording a video. The next one down allows the single AF point to be expanded/contracted or moved with the aid of the multi directional control pad underneath - as long as you're in one of the creative shooting modes that is. Otherwise in smart auto mode, subsequent presses will turn face detection on or off, while in playback mode this multi-use control usefully doubles up as a Delete button. It requires a degree of playing around to discover this as unhelpfully once again the full manual is provided on CD only, with only a cursory quick start booklet in the box which doesn't cover any more than the already self explanatory basics. The four way control pad at points north, east, south and west variously offers a means of adjusting exposure compensation +/- 2EV, self timer off, two seconds, ten seconds or a 10 second option that fires three consecutive shots, selecting from the ISO options ISO100-3200, and finally adjusting focus, with switchable settings between normal, macro and manual options offered if required. The latter allows use of the scroll wheel to dial in distance settings from 0cm to infinity, with an enlarged central square on screen giving a rough idea of whether the picture is properly sharp enough. A press of the Function / Set button in the middle of the scroll wheel/control pad brings up the regular L-shaped menu that will be immediately familiar to any Canon compact camera user and presents essential functions at a glance. In program mode for example, from the top of this toolbar we get the ability to adjust dynamic range correction, white balance, select from the various 'My Color' options which include our favourite vivid saturation boosting option alongside the ability to specify darker or lighter skin tones or shoot in sepia or black and white in camera. Next down the list is a bracketing option, with either three shots automatically taken at three different exposures or three different focal distances, plus the option to switch from single to continuous capture, again adjust exposure compensation to +/- 2 EV, or swap metering between evaluative, centre weighted and spot. Image aspect ratio can be swapped from the factory default of 43 to 169, 32 or more unusually even 11 and 45. It's via this L-shaped toolbar that PowerShot users can also specify large, medium or small files and even adjust video resolution on the fly, from 1920x1080 through 1280x720 and down to 640x480 pixels. Alternatively if the camera has been set to its smart auto mode then only image aspect ratio, file size and video resolution can be adjusted. The other options do not appear at all. The final two buttons on the camera back are for the self-explanatory display and menu. Subsequent presses of display will call up a nine zone compositional grid, or turn off the LCD entirely at which point the EVF above automatically illuminates and comes into play. A press of 'menu' meanwhile brings up three easy to follow folders on screen; a capture folder, set up folder and my menu folder for quicker access to your more frequently used settings, should you choose to pre-set them. Interestingly among the usual suspects in the capture folder the microphone level can be adjusted, as can a wind filter be turned on or off. These menu options can be tabbed with via a thumb press of the four-way control pad or of course scrolled through faster using the surrounding wheel. If still viewing the camera from the back, further points of interest on the SX50 HS include the covered HDMI, AV and remote control ports on the right flank, and a single speaker located on the left, which also features the hinge about which the variable angle LCD screen pivots. The bottom of the camera features a metal off-centre screw thread for a tripod next to which is a sliding plastic door that protects the battery compartment and adjacent slot for the SD memory card. So, incidentally, if you place this PowerShot on a tripod you'll have to unscrew it first to remove the memory card. Image Quality All of the sample images in this review were taken using the 12 megapixel SuperFine JPEG setting, which gives an average image size of around 4Mb. The Canon PowerShot SX50 HS produced images of good quality during the review period. Noise is well-controlled until ISO 1600, which exhibits some artifacts, blurring of detail and slight colour desaturation. The noise and loss of detail get progressively worse as you go from ISO 1600 to the fastest 6400 setting, which isn't really very usable at all. The Dynamic Range Correction and especially HDR options squeeze more detail out of the shadows and highlights, although they're not available if you shoot in the new RAW mode. The Canon PowerShot SX50 HS handled chromatic aberrations fairly well with well-controlled but widespread purple and green fringing effects appearing in high contrast situations. The 12 megapixel images were sharp enough straight out of the camera at the default setting. Macro performance is a stand-out highlight, allowing you to focus as close as 0cms away from the subject, although there is a lot of lens distortion and shadowing at such a close distance. The built-in flash worked well indoors, with no red-eye and good overall exposure. The night photograph was excellent, with the maximum shutter speed of 15 seconds allowing you to capture enough light for most situations. The anti-shake system works very well when hand-holding the camera in low-light conditions or when using the telephoto end of the huge zoom range, although it's still best to use a tripod or other stable support if possible given the huge focal length on offer. Noise There are 8 ISO settings available on the Canon PowerShot SX50 HS. Here are some 100% crops which show the noise levels for each ISO setting, with the JPEG version on the left and the RAW on the right. JPEG RAW ISO 80 100% Crop ISO 80 100% Crop ISO 100 100% Crop ISO 100 100% Crop ISO 200 100% Crop ISO 200 100% Crop ISO 400 100% Crop ISO 400 100% Crop ISO 800 100% Crop ISO 800 100% Crop ISO 1600 100% Crop ISO 1600 100% Crop ISO 3200 100% Crop ISO 3200 100% Crop ISO 6400 100% Crop ISO 6400 100% Crop Sharpening Here are two 100% crops which have been Saved as Web - Quality 50 in Photoshop. The right-hand image has had some sharpening applied in Photoshop. The out-of-the camera images are sharp enough at the default sharpening setting. You can change the in-camera sharpening level if you don't like the default look. Original 100% Crop Sharpened 100% Crop Focal Range The Canon PowerShot SX50 HS's 50x zoom lens has a massive focal range of 24-1200mm, as illustrated by these examples. 24mm 1200mm Chromatic Aberrations The Canon PowerShot SX50 HS suffered from chromatic aberrations, with purple fringing present around the edges of objects in high-contrast situations, particularly at the edges of the frame, as shown in the examples below. Chromatic Aberrations 1 100% Crop Chromatic Aberrations 2 100% Crop File Quality At full 12 megapixel resolution, there are two JPEG quality settings available - SuperFine and Fine- plus a RAW setting. SuperFine 100% Crop Fine 100% Crop RAW 100% Crop Macro The Canon PowerShot SX50 HS allows you to focus on a subject that is just 0cms away from the camera. The first image shows how close you can get to the subject in this case a compact flash card. The second image is a 100% crop. Macro Shot 100% Crop Flash The flash settings on the Canon Powershot SX50 HS are Auto, Manual Flash On / Off, and Slow Sync Speed, with Red-eye Reduction options available in the main menu. These shots of a white coloured wall were taken at a distance of Flash Off - Wide Angle 24mm Flash On - Wide Angle 24mm Flash Off - Telephoto 1200mm Flash On - Telephoto 1200mm And here are some portrait shots. As you can see, neither the Flash On or the Red-eye-Reduction settings caused any red-eye. Flash On Flash On 100% Crop Red-eye Reduction Red-eye Reduction 100% Crop Night The Canon Powershot SX50 HS's maximum shutter speed is 15 seconds, which is great news if you're seriously interested in night photography. The shot below was taken using a shutter speed of 15 seconds at ISO 80. Night Night 100% Crop Anti Shake The Canon Powershot SX50 HS has an anti-shake mechanism, which allows you to take sharp photos at slower shutter speeds than other digital cameras. To test this, I took 2 handheld shots of the same subject with the same settings. The first shot was taken with anti shake turned off, the second with it turned on. Here are some 100% crops of the images to show the results. As you can see, with anti shake turned on, the images are much sharper than with anti shake turned off. Shutter Speed / Focal Length Anti-Shake Off 100% Crop Anti-Shake On 100% Crop 1/5th sec / 24mm 1/2nd sec / 1200mm Dynamic Range Correction Dynamic Range Correction captures more detail in the highlight areas of the image, with Auto, 200% and 400% settings available. HDR The HDR mode takes three photos at different exposures and effectively combines them to produce a single image with greater detail in the shadow and highlight areas. Off On Sample Images This is a selection of sample images from the Canon PowerShot SX50 HS camera, which were all taken using the 12 megapixel SuperFine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way. Sample RAW Images The Canon PowerShot SX50 HS enables users to capture RAW and JPEG format files. We've provided some Canon RAW CR2 samples for you to download thumbnail images shown below are not 100% representative. Sample Movie & Video This is a sample movie at the highest quality setting of 1920x1080 pixels at 30 frames per second. Please note that this 15 second movie is in size. Product Images Front of the Camera Front of the Camera / Turned On Front of the Camera / Flash Raised Isometric View Isometric View Isometric View Isometric View Rear of the Camera Rear of the Camera / Image Displayed Rear of the Camera / Turned On Rear of the Camera / Function Menu Rear of the Camera / Main Menu Tilting LCD Screen Tilting LCD Screen Tilting LCD Screen Top of the Camera Bottom of the Camera Side of the Camera Memory Card Slot Front of the Camera Front of the Camera Memory Card Slot Battery Compartment Conclusion The jaw-dropping 50x lens may get all the attention, but the PowerShot SX50 HS' other new features are what makes this Canon's best super-zoom camera yet. It's impossible to review the Canon PowerShot SX50 HS without focusing on its 24-1200mm focal length - after all, it would be very costly and indeed difficult to replicate that range on a DSLR system, not to mention bulky and heavy too. We found that we got a surprising number of keepers at the 1200mm focal length, even when using the camera handheld, although most of the photos taken at the longer reaches of the zoom were inevitably shot at ISO 1600 when ISO Auto was on, not great considering the high levels of noise. What you gain in focal length, you lose in lens speed, with the maximum aperture of f/ forcing the camera to use a higher ISO to maintain a fast enough shutter-speed and often not achieving that. Still, you don't have to use the full telephoto range all the time, although we suspect that some users won't be able to resist, and mounting the camera on a tripod is essential if critical sharpness is required in anything but good light. Of more concern than noise is the obvious chromatic aberrations which rear their purple and green ugly heads wherever there's an area of high contrast in the image. Alongside the world's biggest zoom on a compact camera are a number of other, arguably more important, features that bring the SX-range up to speed with its main competitors. Chief amongst these are the welcome inclusion of the RAW format, a hotshoe for an accessory flash, a bigger handgrip, and a higher-resolution LCD screen. These improvements add up to make the Canon PowerShot SX50 HS much more of a viable alternative to a DSLR, and to its super-zoom rivals too. We are disappointed that the electronic viewfinder still only has a resolution of 202k dots, especially considering that it's imperative to compose your photos through the viewfinder given the huge focal range, and there's no automatic switching between LCD and EVF either when you hold the camera to your eye. Whereas the previous SX40 HS felt predominantly like a fun tool for amateurs, the more DSLR-like Canon PowerShot SX50 HS with its improved image quality, new prosumer features, better handling and inevitably that 50x zoom lens make it a real alternative to a DSLR or compact system camera and a bag full of lenses. Ratings out of 5 Design Features Ease-of-use Image quality 4 Value for money 4 Review Roundup Reviews of the Canon PowerShot SX50 HS from around the web. The Canon Powershot SX50 HS is a 12 megapixels ultra-zoom that features the most powerful optical zoom lens ever made into a digital camera. At 50X, the lens of the SX50 HS has a reach equivalent to 24-1200mm, going from ultra-wide to well-beyond telephoto. Not only can this lens frame the moon tightly, it can also focus down to 0cm at wide-angle, which is only matched by a handful of other SX-series cameras Read the full review » Specifications IMAGE SENSOR Type 1/ type back-illuminated CMOS Effective Pixels Approx. Colour Filter Type Primary Colour IMAGE PROCESSOR Type DIGIC 5 with iSAPS technology LENS Focal Length â mm 35 mm equivalent 24 â 1200 mm Zoom Optical 50x. ZoomPlus 100x Digital Approx. 4x with Digital Tele-Converter Approx. or and Safety ZoomÂč. Combined Approx. 200x Maximum f/number f/ Construction 13 elements in 10 groups 3 UD lenses and 1 double-sided aspherical lens Image Stabilisation Yes lens shift-type, Intelligent IS Ultrasonic Motor USM Yes, zoom FOCUSING Type TTL AF System/ Points Face Detection, 1-point AF Any position is available, fixed to centre or Face Select and Track AF Modes Single, Continuous, Servo AF/AEÂč, Tracking AF AF Point Selection Manual selection using FlexiZone AF/AE, Size Normal, Small AF Lock On/Off Selectable AF Assist Beam Yes Manual Focus Yes Focus Bracketing Yes Closest Focusing Distance 0 cm W from front of lens in Macro EXPOSURE CONTROL Metering modes Evaluative linked to Face Detection AF frame, Centre-weighted average, Spot centre or linked to Face Detection AF or FlexiZone AF frame AE Lock Yes Exposure Compensation +/- 3 EV in 1/3 stop increments Enhanced i-Contrast for automatic dynamic range correction AEB 1/3 â 2 EV in 1/3 stop increments ISO sensitivity* AUTO, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400 SHUTTER Speed 1 â 1/2000 sec. factory default 15 â 1/2000 sec. total range â varies by shooting mode WHITE BALANCE Type TTL Settings Auto including Face Detection WB, Daylight, Cloudy, Tungsten, Fluorescent, Fluorescent H, Flash, Custom1, Custom 2. Multi-area WB correction available in Smart Auto. White Balance Compensation. VIEWFINDER Viewfinder EVF type, 43 aspect ratio, Approx. 202,000 dots Viewfinder / Coverage Approx. 100% Dioptre Correction Yes LCD MONITOR Monitor Vari-angle cm PureColor II VA TFT, Approx. 461,000 dots Coverage Approx. 100% Brightness Adjustable to one of five levels. Quick-bright LCD FLASH Modes Auto, Manual Flash On / Off, Slow Synchro Slow Sync Speed Yes. Fastest speed 1/2000 sec. Red-Eye Reduction Yes Flash Exposure Compensation +/- 2 EV in 1/3 stop increments. Face Detection FE, Safety FE, Smart Flash Exposure Flash Exposure Lock Yes Manual Power Adjustment 3 levels with internal flash up to 19 levels with external EX Speedlites 270EX II and 430EX II. 22 levels with 580EX II, 600EX and 600EX-RTÂč Second Curtain Synchronisation Yes Built-in Flash Range 50 cm â m W / m â m T External Flash E-TTL with EX series SpeedlitesÂč SHOOTING Modes Smart Auto 58 scenes detected, Program AE, Shutter priority AE, Aperture priority AE, Manual, Custom 1, Custom 2, SCN Portrait, Smooth Skin, Smart Shutter Smile, Wink Self-Timer, FaceSelf-Timer, High-speed Burst HQ, Handheld Night Scene, Snow, Fireworks, Stitch Assist, Creative Filters High Dynamic Range, Fish-eye Effect, Miniature Effect, Toy Camera Effect, Soft Focus, Monochrome, Super Vivid, Poster Effect, Color Accent, Color Swap, Movie Digest, Movie Modes in Movie Smart Auto 21 scenes detected, Standard, Program AE, Portrait, Miniature Effect, Monochrome, Super Vivid, Poster Effect, Color Accent, Color Swap, Snow, Fireworks, iFrame Movie, Super Slow Motion Movie Photo Effects My Colors My Colors Off, Vivid, Neutral, Sepia, Black & White, Positive Film, Lighter Skin Tone, Darker Skin Tone, Vivid Blue, Vivid Green, Vivid Red, Custom Color Drive modes Single, Continuous, Continuous with AF, Self-Timer Continuous Shooting Approx. shots/sec., AF Approx. shots/sec., LV Approx. shots/sec., High-speed Burst HQ Approx. 13 shots/sec., up to 10 shots. High-speed Burst HQ with AF Approx. shots/sec., up to 10 shotsÂčÂČ RECORDING PIXELS / COMPRESSION Image Size 43 - RAW, L 4000 x 3000, M1 2816 x 2112, M2 1600 x 1200, S 640 x 480 169 - RAW, L 4000 x 2248, M1 2816 x 1584, M2 1920 x 1080, S 640 x 360 32 - RAW, L 4000 x 2664, M1 2816 x 1880, M2 1600 x 1064, S 640 x 424 11 - RAW, L 2992 x 2992, M1 2112 x 2112, M2 1200 x 1200, S 480 x 480 45 - RAW, L 2400 x 3000, M1 1696 x 2112, M2 960 x 1200, S 384 x 480 Resize in playback M2, S, XS *XS is half the length and width of S Compression Superfine, Fine Movies Full HD 1920 x 1080, 24 fps, HD 1280 x 720, 30 fps, L 640 x 480, 30 fps Super Slow Motion Movie L 640 x 480, 120fps, M 320 x 240, 240fps Miniature Effect HD, L 6fps, 3fps, fps iFrame Movie HD Movie Length Full HD & HD Up to 4 GB or 29 min. 59 L Up to 4 GB or 1 hourÂČ Super Slow Motion Movie 30 sec. FILE TYPES Still Image Type JPEG compression Exif [Exif Print] compliant / Design rule for Camera File system and DPOF ver. compliant, RAW, RAW+JPEG Movies MOV [ + Linear PCM stereo] iFrame DIRECT PRINT Canon Printers Canon SELPHY Compact Photo Printers and Canon Inkjet Printers supporting PictBridge ID Photo Print, Fixed Size Print and Movie Print supported on SELPHY CP & ES printers only PictBridge Yes OTHER FEATURES Red-Eye Correction Yes, during shooting and playback My Camera / My Menu Start-up image and camera sounds customisation. Menu customisation My Category Image tagging feature Intelligent Orientation Sensor Yes Histogram Yes, live histogram Playback zoom Approx. 2x â 10x Self Timer Approx. 2 or 10 sec., Custom Menu Languages English, German, French, Dutch, Danish, Finnish, Italian, Greek, Norwegian, Portuguese, Russian, Swedish, Spanish, Ukrainian, Polish, Czech, Hungarian, Turkish, Simplified Chinese, Chinese traditional, Japanese, Korean, Thai, Arabic, Romanian, Farsi, Hindi, Malay, Indonesian, Vietnamese INTERFACE Computer Hi-Speed USB MTP, PTP dedicated connector Mini-B compatible Other HDMI Mini Connector HDMI-CEC compatible A/V output PAL/NTSC MEMORY CARD Type SD, SDHC, SDXC SUPPORTED OPERATING SYSTEM PC & Macintosh Windows 7 SP1/ Vista SP2/ XP SP3 Mac OS X â SOFTWARE Browsing & Printing ImageBrowser EX Other PhotoStitch Image Manipulation Digital Photo Professional for RAW development POWER SOURCE Batteries Rechargeable Li-ion Battery NB-10L battery and charger supplied Battery life Approx. 315 shotsÂč Approx. 420 min. playback A/C Power Supply Optional, AC Adapter Kit ACK-DC80 ACCESSORIES Cases / Straps Soft Case DCC-850 Lenses Filter Adapter FA-DC67A Compatible with Canon 67mm Filters Circular Polarizing PL-C B, Protect Filter Flash Canon Speedlites including 270EX, 270EX II, 320EX, 430EX II, 580EX IIÂč, 600EX, 600EX-RT, Speedlite Transmitter ST-E2, Speedlite bracket SB-E2, Off-Camera Shoe Cord OC-E3 Remote Controller/ Switch Remote Switch RS-60E3 Power Supply & Battery Chargers AC Adapter Kit ACK-DC80, Battery Charger CB-2LCE Other Lens Hood LH-DC60 Canon HDMI Cable HTC-100 PHYSICAL SPECIFICATIONS Operating Environment 0 â 40 °C, 10 â 90% humidity Dimensions WxHxD x x mm Weight Approx. 595 g including battery/batteries and memory card Zoom Âč Depending on the image size selected. AF Modes Âč Some settings limit availability. Manual Power Adjustment Âč Not all functions of the flash are supported. External Flash Âč Not all functions of the flash are supported. Continuous Shooting Âč Under conditions where the flash does not fire. ÂČ Depending on memory card speed / capacity / compression setting. Movie Length Âč The following Speed Class memory cards are required for maximum record time HD 1280 x 720 Speed Class 4 or above. Full HD 1920 x 1080 Speed Class 6 or above. iFrame 1280 x 720 Speed Class 6 or above. ÂČ Depending on memory card speed / capacity / compression setting. Battery life Âč Using the batteries and memory card format supplied with the camera where included, except where indicated. Flash Âč Not all functions of the flash are supported. *Standard Output Sensitivity / Recommended Exposure Index. According to ISO 122322006 20th April 2006 which specifies the method for assigning and reporting ISO speed ratings for digital still cameras. All data is based on Canon standard testing methods according to CIPA Standards except where indicated. Subject to change without notice. Your Comments Introduction Ease of Use Image Quality Sample Images Product Images Conclusion Review Roundup Specifications
Canon PowerShot SX50 HS MSRP $ âFor users seeking a camera with a super-long zoom without having to venture into DSLR territory, the SX50 HS is a compelling choice.â Pros Industry-leading 24-1200mm 50x optical zoom Rich, accurate colors Excellent image stabilization system Cons Noise issues at higher ISOs Video frame rate behind the times EVF should be larger If there is one type of point-and-shoot that is holding up against the smart phone onslaught, itâs the mega-zoom. For all their convenience, smart phones have poor-quality digital zooms, nothing like the Canon PowerShot SX50 HS with its 50x glass optics. Despite issues with noise at high ISO and less-than-stellar video, the SX50 is a great option for those who want a good-quality point-and-shoot with a telephoto zoom. Features and Design The SX50 doesnât look that different than the model it replaces, the SX40 HS with a 35x zoom. We loved the SX40âs focal length 24-840mm and image quality, and now Canon has upped the ante in the SX50 with a longer zoom lens that travels from 24-1200mm, which means you can easily take wide group shots or zero in on a birdâs eye on a distant tree. This is a great creative palette and we can guarantee youâll go zoom crazy once you start playing with it. The camera has a distinct DSLR vibe with its beefy body. No featherweight, it tips the scales at 21 ounces with the battery, measuring x x WHD, in inches. Youâll definitely want to use the supplied neck strap and a two-handed grip. If not two hands, expect blurry shots even with the good optical image stabilization anti-shake system. Besides the lens, the key feature on the front is the AF Assist lamp to help accurately focus your subjects. The main functions on the top deck are the manual pick-up flash, two pinhole stereo mics, accessory hot shoe, power button, and mode dial that solidly clicks from one selection to the next. On the grip is the shutter and zoom toggle switch. The mode dial lets you fire away in Smart Auto where the camera guesses the scene in front of it and adjusts accordingly. It recognizes 58 scenes versus 32 for the SX40. If youâre up for going beyond aim-and-forget, thereâs P/A/S/M, access to Scene modes, HDR High Dynamic Range, and Movie, among others. Itâs a good mix for someone looking to move beyond the basics but not nearly as sophisticated as a DSLR or Compact System Camera â especially since manual focus isnât available. You can, however, adjust shutter speed and aperture 15-1/2000th, f/ depending on your focal length. Again, it may look like a small DSLR but this fixed-lens camera is not nearly as advanced. Then again youâd go broke if you bought all the lenses needed for a 24-1200mm range â and we really mean busted. Like most quality mega-zooms the Canon has an electronic viewfinder EVF as well as an LCD to frame and review your images. The EVF is rated 202K dots and, although bright, is really small. Youâll need it, however, since shooting at 1200mm with your hands stretched out in front using just the LCD to frame your shots is a foolâs errand â sharp images are out of the question when you rely on the LCD. You need a steady two-handed grip and proper stance to get good photos at full telephoto. A monopod would come in handy for shooting in general and taking quality HDR images, which are three shots taken in rapid succession each at a different exposure, from light to dark and combined in-camera to create a photo with a higher dynamic range. The SX50 has a slightly larger LCD than the SX40 versus inches but itâs dramatically improved to 461K pixels over the paltry 230K of the older model. We had few issues using it, even under direct sunshine. The camera has a vari-angle screen so it can be twisted for unusual shooting angles and even turned in on itself to prevent scratches. The controls on the back panel are self-explanatory â playback, red-dotted movie button, display, menu, and four-way controller with surrounding jog wheel. The four points give you direct access to the self-timer, ISO, focus type, and exposure compensation. One unusual button is the AF Frame Selector that lets you choose a spot anywhere in the frame for critical focus. When we last reviewed the SX40, there was one feature we raved about â Zoom Framing Assist â that lets you quickly reacquire your subject at extreme telephoto. This feature has been enhanced in the SX50 and the controls have moved to the lens barrel. The camera has mini-HDMI and USB outs with metal tripod mount and battery/card compartment on the bottom. Whatâs In The Box If you purchase the SX50 HS, youâll get the camera, a battery rated a decent 315 shots good for a full-dayâs workout, plug-in wall charger, strap, lens cap with attaching string, and a Getting Started booklet. There is also a CD containing the full 286-page manual in PDF and Canonâs software suite including Digital Photo Professional to handle RAW files. Youâll need SD media not included, naturally and we recommend at least 8GB or more, Class 6 or better for this camera. Performance and Use We set the SX50 to maximum resolution for stills and movies. The camera has a CMOS sensor so the pixel count is 4000Ă3000, RAW or JPEG. Note this chip measures 1/ which means itâs very small compared to those in DSLRs and CSCs, as well as some enthusiast digicams. For example, the PowerShot G15 features a sensor that measures 1/ inches, which has 35 percent more area than the SX50âs. Since small sensors equal more digital noise, we kept the ISO Auto limit at 800, rather than the maximum 1600; the cameraâs range is 80-6400 when you move into P/A/S/M modes. After we did our shooting, images were enlarged 100-percent and higher for the requisite pixel peeping and videos reviewed on a 50-inch plasma via HDMI. We found the SX50 HS to be an excellent camera with a good lens and even better optical image stabilization system. We could capture wide-angle landscapes, then zoom into the tree bark and small branches. There was very little evidence of purple fringing, a bugaboo for telephoto shots. When shooting some brightly-colored chrysanthemums there was plenty of detail with spot-on colors using a forced flash helped. Macro scenes of a wet spider web were also quite good, as was a glorious sunset after a rainstorm. Since this is a mega-zoom we had to take photos at 24mm and 1200mm of the same scene. We did this of the famous Wonder Bar in Asbury Park, with the classic Asbury Park mascot Tillie emblazoned on the side. You can see the painted lines of Tillieâs eyes as well as the surface of the building. The same held true for wide and telephoto shots of the boardwalk all the way down to the old Casino building. This is a lot of fun. The camera was easy to handle and operate. AF is quick with little grabbing. When we were at 1200mm, we used the very helpful Framing Assist Seek, which zooms back so you can reacquire your subject if you shift the camera. As we mentioned, Canon moved this button to the lens from the rear of the SX40, making it easier to access. As noted, the SX50 has a relatively small CMOS sensor and we werenât expecting miracles concerning digital noise. And this camera has it in spades at high ISOs. We took some shots indoors and things fell apart at ISO 640 with lots of noise and color shifts. Past 640 and up to 6400 the results were smeary and bad. Even the Handheld Night Scene mode was not up to par. Definitely shoot RAW if youâre planning to work indoors, using available light without the flash. This camera needs its light. When it gets it â which is anytime youâre outdoors during daylight â youâll be in fine shape. The SX50 lives up to the Canon tradition of quality point-and-shoots. Weâve always liked the feel of Canon images since they have just the right amount of saturation with good, accurate colors. The SX50 did not disappoint. One annoying thing is the cartwheels Canon forces you to take in order to turn on fast burst of 13 frames per second fps. You have to go into Scene, scroll for High Speed Burst-HQ, and then fire away. And, the 13 fps is only for 10 frames with only the first frame in focus; DSLRs and CSCs are far more responsive. The traditional continuous mode fps is easily available through the Func. Function menu or by assigning it to the shortcut key. Videos are good at 1080/24 fps but not with the pop we like. The zoom is available while recording movies, which is a plus as is the stereo sound. The mics donât pick up too much camera noise, a problem for many other digicams. Just realize the SX50 is not geared toward filming âLes Miserablesâ but your productions will entertain your friends. Conclusion Available for $400 or less, the SX50 HS is a fine mega-zoom â especially good for travelers. Image quality is tops in class, itâs a lot lighter to tote around than a DSLR, and the focal range canât be beat. It has its limitations but if you can deal with them â and most photographers can â the SX50 HS is a good choice. We just wish Canon would step up their game by handling noise better and improving movie quality from adequate to very good. Given new camera announcements are due early next year weâre hoping this will be the case. Highs Industry-leading 24-1200mm 50x optical zoom Rich, accurate colors Excellent image stabilization system Lows Noise issues at higher ISOs Video frame rate behind the times EVF should be larger Editors' Recommendations The best point-and-shoot cameras Canon stacks on features to Powershot cameras with better burst, new sensors Canon finally makes 4K mainstream with the $400 40x zoom PowerShot SX740 With a sensor pulled from DSLRs, Canonâs G1 X Mark III is as advanced as compacts get Canon rolls out new macro lens and refreshed superzoom point-and-shoot
Sections Page 1 Canon PowerShot SX50 HS Review Page 2 Design and Performance Review Page 3 Image Quality and Verdict Review Verdict Pros Huge 50x optical zoom Hotshoe for accessories Articulated screen Cons Occasional issues with focusing Poor quality EVF Bulky and unrefined design Key Specifications Review Price ÂŁ 1/ back-illuminated sensor; 50x optical zoom, 24-1200mm; ISO 80 - 6400; 1920 x 1080 HD video capture 24; 461k-dot vari-angle LCDp What is the Canon Powershot SX50 HS? The combination of a large focal range and relatively compact body make bridge cameras increasingly popular for those looking for a more advanced shooting option without the burden of carrying around large lenses and a bulky body. The Canon PowerShot SX50 HS is one such bridge camera, and its huge 50x optical zoom mean that, on paper, itâs the leading candidate in this market. We take a closer look to see how it weighs up Canon Powershot SX50 HS â Features At the heart of any bridge camera worth its salt sits a large optical zoom, and this is true of the Canon PowerShot SX50 HS. The model has a huge 50x optical zoom, covering an equivalent focal range of 24 â 1,200mm. Itâs supported by Canonâs Intelligent IS stabilisation system that combines lens-shift and digital stabilisation to offer up to stops of benefit when it comes to exposure. It also benefits from Canonâs ZoomPlusâ technology to offer up to a 100x zoom, although this is basically a glorified digital zoom and as such wonât offer the same amount of detail as a traditional optical zoom. Finally, the lens includes Canonâs Ultra Sonic Motor technology that enables near-silent focusing throughout the extensive focal range â a useful feature as it means you can use the zoom when recording video without fear of annoying noises. Accompanying the large optical zoom is a CMOS sensor. The sensor â as the cameraâs name suggests â features Canonâs HSâ technology that involves the combination of a backlit CMOS sensor and Canonâs DIGIC 5 processor for improved performance in low light conditions. The rear of the camera sees a articulated LCD screen that boasts a resolution of 461k-dots, and which can be pulled away from the body and rotated around a horizontal axis for viewing at a range of angles. The camera also features an electronic viewfinder EVF for those that want an alternative way to compose their images. Unfortunately, the EVF measures in at just and a resolution of just 202k-dots â on paper a potential weakness. A welcome aspect of the SX50 HSâs specification is the presence of full PASM Program, Aperture Priority, Shutter priority and Manual image capture control. Those looking to let the camera so the work can fall back on the modelâs Smart Auto shooting mode that chooses from 58 scene modes to get the right one for you. The SX50 HS also benefits from having the ability to capture Raw files for greater versatility in post production, while the camera also offers Full HD video capture at 1080p resolution and 24fps. Other standout elements include the presence of a hotshoe on the cameraâs top plate that allows for the attachment of Canon Speedlite EX flashguns, while the camera can also features a 67mm filter thread and removable a lens hood.
kelebihan dan kekurangan canon sx50 hs
